BCSFA CGP CSPWC OC RCA
1909 - 1998
Canadien
Three Furies
ink and acrylic on paper on board triptych
signé et daté 1963-1997 et daté de 1965 sur le panneau de gauche et au verso signé, titré et titré « Night Flash » sur l'étiquette de la galerie Bau-Xi, daté et daté 1986-1997 sur l’étiquette de la galerie Bau-Xi et inscrit diversement
40 x 78 po, 101.6 x 198.1 cm
Estimation : 15 000 $ - 25 000 $ CAD
Exposition à : Heffel Vancouver
PROVENANCE
Bau-Xi Gallery, Vancouver
Collection privée, Vancouver
Ballard Fine Art Ltd., Vancouver
Collection privée, Vancouver
BIBLIOGRAPHIE
Scott Watson, Jack Shadbolt, 1990, page 152
During the 1970s, Jack Shadbolt painted some of his most ambitious works, including large multi-panelled “suites.” Scott Watson wrote, “These works were among the most ambitious of his entire career, not just in their scale but in their attempt to sustain a creative momentum through a period of time.” One example is Butterfly Transformation Theme 1981, a six-panel work in the collection of the Audain Art Museum.
Shadbolt was well known for working in series. Also, at times he would begin a work, put it aside for years, and then pick it up again, hence his works can have more than one date or a range of dates. Such is the case with Three Furies, a signature triptych with overtones of myth, ritual, and natural dynamism. In Roman myth, the Furies were three goddesses of vengeance and retribution. Here, the central figures suggest portraits set against a vivid magenta backdrop. The rich colours, fluid brush-work and energetic forms of this remarkable triptych offer endless fascination for the viewer.
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