LOT DETAILS
         
         
         
         

This session is closed for bidding.
Current bid: $42,500 CAD
Bidding History
Paddle # Date Amount

37738 25-Apr-2024 06:08:23 PM $42,500

846565 25-Apr-2024 06:07:21 PM $40,000 AutoBid

37738 25-Apr-2024 06:07:21 PM $37,500

846565 25-Apr-2024 06:06:19 PM $35,000 AutoBid

37738 25-Apr-2024 06:02:40 PM $32,500

846565 25-Apr-2024 06:01:33 PM $30,000 AutoBid

37738 25-Apr-2024 06:00:05 PM $27,500

846565 25-Apr-2024 05:55:09 PM $25,000 AutoBid

37738 25-Apr-2024 05:55:09 PM $22,500

846565 25-Apr-2024 10:01:59 AM $20,000 AutoBid

22509 25-Apr-2024 09:46:21 AM $19,000

846565 24-Apr-2024 11:51:41 PM $18,000

22509 24-Apr-2024 09:18:00 PM $17,000

846565 18-Apr-2024 06:21:20 PM $16,000

919298 11-Apr-2024 06:35:07 PM $15,000

846565 08-Apr-2024 06:15:13 PM $14,000

The bidding history list updated on: Friday, May 03, 2024 12:02:19

LOT 509

ALC BCSFA CGP FCA G7 OSA RPS TPG
1885 - 1970
Canadian

Laurentians
oil on board
signed and on verso initialed, titled and dated 1913-14 by Thoreau MacDonald on a label and inscribed "Laurentians sketching trip with J. MacD 1913/14, Thoreau MacDonald" by Thoreau MacDonald
5 1/2 x 8 7/8 in, 14 x 22.5 cm

Estimate: $15,000 - $25,000 CAD

Sold for: $52,250

Preview at: Heffel Toronto – 13 Hazelton Ave

PROVENANCE
Mr. & Mrs. A. Crawford Kenny
Private Collection, Toronto


After he returned from Germany, Lawren Harris’s first Canadian sketching trip was to Quebec’s Laurentians in fall 1908, which resulted in his first major Canadian landscape canvas, Deserted Barn, Laurentians. In 1911, Harris met J.E.H. MacDonald, and in the fall of 1913, the soon-to-be fellow Group of Seven artists traveled to the Laurentians. Harris did a number of small panels on this trip, including Laurentians, verified by the verso inscription by MacDonald’s son, Thoreau—although it is uncertain whether this indicates the painting was once in Thoreau's possession. In some of Harris’s Laurentian scenes he used a select palette of warm and cool earth tones, and here he used primarily taupe, umber, brown and orange. The central haystacks, with their unusual forms, are a focal point, contrasted with long, fluid brush-strokes that give rhythm and flow to the surrounding cultivated land. In the hills behind, the oranges and golds of autumn smoulder through the trees. Harris makes the juxtaposition of rustic farmland and wild nature vital and fresh in this engaging rural scene.


All prices are in Canadian Dollars


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