LOT DETAILS
This session is closed for bidding.
Current bid: $1,700 CAD
Bidding History
Paddle # Date Amount

22431 28-Jul-2022 01:38:12 PM $1,700

824090 27-Jul-2022 09:07:06 PM $1,600 AutoBid

15781 27-Jul-2022 03:06:10 PM $1,500 AutoBid

824258 27-Jul-2022 03:06:10 PM $1,400

15781 26-Jul-2022 08:23:50 PM $1,300 AutoBid

824090 26-Jul-2022 08:23:29 PM $1,200 AutoBid

15781 26-Jul-2022 08:23:29 PM $1,100

824090 26-Jul-2022 07:05:55 PM $1,000 AutoBid

22431 15-Jul-2022 07:26:34 PM $900

824258 11-Jul-2022 08:07:56 PM $800

The bidding history list updated on: Thursday, April 18, 2024 10:33:16

LOT 118

BCSFA OC
1946 -
Canadian Indigenous

Fast Bird
colour silkscreen on paper
signed, editioned I/III P.P., dated 2011 and stamped with the printer's blindstamp and on verso titled
40 x 30 in, 101.6 x 76.2 cm

Estimate: $1,500 - $2,500 CAD

Sold for: $2,125

Preview at:

PROVENANCE
Acquired directly from the Artist by the present Private Collection, Vancouver

EXHIBITED
Seattle Art Museum, Robert Davidson: Abstract Impulse, November 16, 2013 - February 16, 2014; traveling to the National Museum of the American Indian, New York, NY, April 12 - September 14, 2014 same image
The Contemporary Austin, Robert Davidson: U and Eye, September 15, 2018 - March 3, 2019, same image


Celebrated internationally, Robert Davidson has devoted his life’s work to the evolution and radical re-interpretation of Haida design vocabulary. The great-grandson of legendary artist Charles Edenshaw, Davidson is considered a leading figure of the Haida cultural renaissance, and draws on historical forms both Western and Indigenous in creating a hybrid visual language.

This series of 20 silkscreen prints comes from the collection of the Vancouver-based artist who assisted Davidson in their production. Created over a decade from 2001 to 2011, these meticulous and precise works pay homage to the important tradition of printmaking in Indigenous art. They are a culmination of Davidson’s exploration of form in images woven with history and myth, and condensed to their essential graphic elements of line and colour.

Davidson’s work has been the subject of major retrospectives, including Eagle of the Dawn at the Vancouver Art Gallery in 1993 and The Abstract Edge at the Museum of Anthropology at UBC in 2004, the latter of which included several original paintings on which Davidson based a number of these silkscreen prints.

The National Gallery of Canada has an edition of this print in their collection.

Please note: this work is unframed.


All prices are in Canadian Dollars


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