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LOT DETAILS
         
         
         
         

This session is closed for bidding.
Current bid: $3,750 CAD
Bidding History
Paddle # Date Amount

23162 29-Sep-2022 02:01:55 PM $3,750

872536 29-Sep-2022 02:00:51 PM $3,500

23162 29-Sep-2022 01:59:31 PM $3,250

872536 29-Sep-2022 01:56:02 PM $3,000

23162 29-Sep-2022 01:09:41 PM $2,750

871905 19-Sep-2022 11:31:59 PM $2,500 AutoBid

38192 19-Sep-2022 11:31:59 PM $2,250

871905 02-Sep-2022 12:09:37 PM $2,000 AutoBid

The bidding history list updated on: Friday, March 29, 2024 10:35:55

LOT 110

AANFM ARCA OC QMG
1928 - 2021
Canadian

Forever
mixed media on card
signed, titled, dated 1987 and inscribed "Hannan & Sarah, with my greatest love - Rita 8/92"
8 1/4 x 32 in, 21 x 81.3 cm

Estimate: $3,000 - $5,000 CAD

Sold for: $4,688

Preview at: Heffel Montreal

PROVENANCE
Acquired directly from the artist by the family of Kosso Eloul
By descent through the family, Israel


Born of Abenaki and Quebecois parents, Rita Letendre was first introduced to Paul-Émile Borduas and the Automatistes during her studies at the École des beaux-arts in Montreal. Their expressive and intuitive approach to art was inspiring to Letendre, who was interested in creative exploration rather than the traditional methods taught at l’École. From that moment on, she dedicated herself entirely to painting and to the possibilities that abstraction could offer. Later, her works were shown alongside the Automatistes’ in pivotal exhibitions such as La matière chante in 1954 and Espace 1955 at the Montreal Museum of Fine Arts.

In the late 1960s through the 1970s, Letendre moved away from Automatiste gesture to a hard-edge and geometric abstraction. During that period, she developed what would later be known as her “flèches” (arrows). From the 1980s to the 2000s, Letendre’s mature period, she melded the two aforementioned styles. While the diagonal compositions remained, she moved away from the slick hard-edged abstraction of the Arrows and returned to the expressive gestures of her Automatist period. In these works, a flurry of colourful and bright strokes move rapidly over a dark negative space. Letendre also experimented in a variety of medium during that time, such as oil, pastel and gouache.

All the works included in this specialty online session come from the private collection of her husband Kosso Eloul’s family. They are being consigned by the family.


All prices are in Canadian Dollars


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