VENTE EN LIGNE
Art international
5e séance

octobre 03 - octobre 31, 2024

DÉTAILS DU LOT
Cette séance est fermée aux enchères.
Historique des enchères
# de palette Date Prix

Il n’y a présentement aucune enchère pour ce lot
La liste de l'historique des enchères a été mise à jour le: lundi, 04 novembre 2024 | 18h 22m 27s

LOT 423

1875 - 1943
Américain

Bathers
huile sur toile sur panneau
20 x 27 5/8 po, 50.8 x 70.2 cm

Disponibles aux offres après enchères. CAD

PRIX : $43,250

Exposition à : Heffel Toronto – 13 avenue Hazelton

PROVENANCE
Collection privée
Important American Paintings, Drawings and Sculpture, Christie’s New York, 30 novembre 1999, lot 64
Collection privée, Nouvelle-Écosse


The work of American Impressionist Richard E. Miller speaks to the enduring art historical legacy of the north of France. Titans such as Henri Matisse, Pablo Picasso, Paul Gauguin and Maurice Denis were seduced by the region's famously rich light and rustic beauty. While locations in Britanny such as St. Malo, Dinan and Concarneau are noted painting locales, Normandy’s Giverny is undoubtedly more famous still. Synonymous with Claude Monet and his iconic images of waterlilies, Giverny became the residence of several American Impressionist artists, eventually known as The Giverny Group. Miller was a member of the “second wave” of artists who were drawn to the Giverny Colony, and the influences he accrued there, are eminently present in Bathers. The remarkably romantic tone is amplified by loose and rich applications of colour and a palpably textural surface. While the intimate observation of the figures suggests Edgar Degas’s own bathers, it is the palette of the distant water that contains the clearest presence of Monet and his pools at Giverny. Adding to what he had learned previously at Paris’ Academie Julien, Miller’s experiences in Normandy allowed him to provide his own indelible contribution to American art history.


Tous les prix affichés sont en dollars canadiens.


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