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This session is closed for bidding.
Current bid: $1,300 CAD
Bidding History
Paddle # Date Amount

949567 26-Sep-2024 01:58:33 PM $1,300 AutoBid

37806 26-Sep-2024 01:56:40 PM $1,200 AutoBid

24892 26-Sep-2024 01:56:40 PM $1,100 AutoBid

37806 26-Sep-2024 01:33:03 PM $1,000 AutoBid

949567 26-Sep-2024 01:33:03 PM $900 AutoBid

37806 24-Sep-2024 05:24:31 PM $800 AutoBid

The bidding history list updated on: Friday, September 27, 2024 07:26:00

LOT 101

BCSFA CGP OC RCA
1913 - 2007
Canadian

Morbid Study
linocut on paper
signed, initialed in the block, titled and on the mat and dated 1933
10 x 11 in, 25.4 x 27.9 cm

Estimate: $1,500 - $2,000 CAD

Sold for: $1,625

Preview at: Heffel Vancouver

PROVENANCE
Barbeau Owen Foundation Collection, Vancouver

LITERATURE
Ian M. Thom, E.J. Hughes, Vancouver Art Gallery, 2002, page 22, reproduced page 24
Jacques Barbeau, A Journey with E.J. Hughes: One Collector’s Odyssey, 2005, reproduced page 32 and listed page 164
Jacques Barbeau, E.J. Hughes Through the Decades, Volume 2, The Paper Works, 1931 – 1986, 2014, reproduced page 5 and listed page 84


E.J. Hughes made this rare early print while he was a student at the Vancouver School of Decorative and Applied Arts. Thom calls it “the best of the early prints” and acknowledges the “unusual subject—a man making a drawing of a skull.” The image incorporates bold graphic effects and a shallow space that still draws the eye into the image. The dramatically lit figure could be the young artist himself. We are left to wonder at the meaning of the title Hughes gave this work, but Thom concludes that “the quality of preternatural stillness combined with a subtle psychological tension, the freezing of transient life into a timeliness moment, are features that inform all of his work.”

Collector Jacques Barbeau said his interest in the art of Hughes was first sparked when he saw one of the artist’s paintings reproduced on the front cover of a 1958 Vancouver telephone directory. More than a decade later, in 1969, Barbeau acquired his first work by Hughes after paying a visit to the Dominion Gallery in Montreal, which had represented Hughes since 1951. Barbeau purchased several “cartoons,” the detailed graphite drawings that the artist, a meticulous draughtsman, would prepare leading up to an oil painting. Over the years, as Hughes transitioned from oils to acrylics and watercolours, the collection of Barbeau and his wife Margaret Ann (née Owen) grew to 80 works, encompassing sketches, prints and paintings from all phases of the artist’s lengthy career. Fifteen masterpieces from this prominent collection have been on loan to the Audain Art Museum in Whistler since 2016, on public display in the Barbeau–Owen Gallery.


All prices are in Canadian Dollars


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