ONLINE AUCTION
The Canadian Winter
1st session

December 20 - January 25, 2024

LOT DETAILS
                     
                     
                     
                     

This session is closed for bidding.
Current bid: $8,500 CAD
Bidding History
Paddle # Date Amount
30810 25-Jan-2024 01:03:08 PM $8,500 autobid
873042 25-Jan-2024 01:02:21 PM $8,000
30810 25-Jan-2024 12:59:50 PM $7,500 autobid
873042 25-Jan-2024 12:59:50 PM $7,000
30810 25-Jan-2024 12:55:31 PM $6,500 autobid
920070 25-Jan-2024 12:53:38 PM $6,000
873042 25-Jan-2024 12:50:13 PM $5,500
30810 24-Jan-2024 06:34:03 PM $5,000 autobid
325508 24-Jan-2024 06:34:03 PM $4,750
30810 17-Jan-2024 05:33:27 PM $4,500 autobid
325508 17-Jan-2024 02:32:39 PM $4,250
30810 14-Jan-2024 12:44:01 PM $4,000
28851 14-Jan-2024 12:43:40 PM $3,750 autobid
30810 14-Jan-2024 12:43:40 PM $3,500
28851 13-Jan-2024 09:59:37 PM $3,250 autobid
2076 23-Dec-2023 09:03:14 AM $3,000

LOT 027

ARCA CSGA OC
1935 - 2022
Canadian

Early Winter
watercolour on paper
signed and dated Feb. 1968 and on verso signed, titled and inscribed "This is the property of Claudia (Howse) Saunders, C.K. Howse, Nov. 30th, 1971"
8 x 12 in, 20.3 x 30.5 cm

Estimate: $4,000 - $6,000 CAD

Sold for: $10,625

Preview at:

PROVENANCE
Purchased directly from the artist by Private Collection, St. John’s, Newfoundland
By descent to present Private Collection, Ontario


This nuanced, finely painted watercolour speaks to the extreme specificity and sensitivity of Christopher Pratt’s artistic practice and its place in Canadian art. It conveys, with a draughtsman’s precision, an expanse of land gently touched by the first snows of winter. Although exacting, this precision does not overwhelm the feeling of the work, which is of a heightened and subtly surreal tone, placing it well within the important tradition of East Coast magic realism. This tradition was initiated primarily by Alex Colville, who was a major influence on Pratt, having instructed the younger artist at Mount Allison University in Sackville, New Brunswick. Colville instilled a deep respect for technical rigour in his students, who also included Christopher’s then wife Mary Pratt. Colville’s influence can be sensed here in the fine renderings of form, and in the still-present grid lines on the paper—a hallmark of his instruction that aimed to ensure a geometric exactness and control. At the same time both meticulous and intimate, this is a work that emerged from an indelible and irreplaceable moment in Canadian art history.


All prices are in Canadian Dollars


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